The Many Faces Of Love In Arth
...and Wace equate love with sexual desire, and little else. The concept becomes less one-dimensional in Hartmann von Aue's romances. In Erec and Iwein, Hartmann's definition of love includes emotional attachment and a degree of commitment. He also discusses the importance of love in proper measure. Sex still plays an important part in Hartmann's discussion of love, but "love" in his works connotes far more than just physical desire. It can be an ennobling or a degenerating entity with the power to refine or to condemn.
Wolfram von Eschenbach's concept of love strays even further from sexual gratification and physical pleasure. In his epic poem, Parzival, Wolfram lauds the recognition and embracing of a divine love that transcends the earthly realm altogether. He, like Hartmann, acknowledges that earthly love can be a detrimental "padlock on our reason" (Wolfram, 153). Love in Parzival thus entails many of the same characteristics that it does in Hartmann's works as far as love among human beings is concerned. But Wolfram develops love's definition to the point where the only true love is the love and service of God. In order to clarify this development of the concept of love from simple human desire to a sublime commitment to the almighty, let us examine in detail the works of these perpetuators of Arthurian Legend.
Geoffrey of Monmouth's History of the Kings of Britain contains an account of the events that lead up to the birth and reign of King Arthur. Geoffrey tells of Uther, the King of Britain whose longing for Queen Igerna culminates in Arthur's conception. When Uther sees Igerna at his Easter festival, an overwhelming desire for her ensnares him. Unfortunately for Uther, Igerna is married to Gorlois, the Duke of Cornwall, who takes offense to the king's advances toward his wife. Uther laments this predicament as he expresses his feelings to a soldier...
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