To Lie On The Bottom
...is a reason that World War II and the Holocaust are considered turning points in human history, a point from which everything changed: philosophy, art, music, film, architecture, politics, history, even the very concept of humanity was altered in an often imperceptible way. Something in us died; extinguished by a darkness so all-encompassing and cold that all hope and beauty and reason and love could not survive it, nothing could, not even God himself. This darkness, this ephemeral force worse than death eventually destroyed Primo Levi, but what it couldn’t destroy, was his soul. His soul witnessed and suffered something worse than death, “a journey towards nothingness, a journey down there, towards the bottom”(Levi, 17) and this tale from the very bottom of hell showed us a side of man never before seen. Dante’s Inferno where there is no God or heaven or right or wrong, but only hunger and despair. A moral hierarchy envisaged by the masterminds of the Final Solution, a cold, remorseless world where the innocent are destroyed and the strong enslaved. A world guided by the “ferocious law which states: ‘to he that has, will be given; from he that has not, will be taken away’.”(88)
The hierarchy of this realm is distant from the rest of humanity, a timeless realm devoid of any remnants of what has been or what is yet to be. A barren, flat, colorless landscape scarred by never-ending paths of metal and wood all leading into the maw of a churning, smoke belching monster marked with a grim, foreboding preface “Arbeit Macht Frei, work gives freedom”(22). This is Auschwitz, a place unlike anywhere else in the annals of human history, “This is hell. Today, in our times, hell must be like this. A huge, empty room: we are tired, standing on our feet, with a tap which drips while we cannot drink the water, and we wait for something which will certainly be terrible,...
View Full Essay
