French And English Foods, 13-1500's
...it is difficult to fix precise dates to the Fall of Rome on one hand
and the beginning of the Renaissance on the other, one thing is sure:
referring to the time period as the Dark Ages ignores a rich history that
includes innovations in art, architecture, fashion, the production of
illuminated manuscripts, public spectacle, and cookery. However, some
academics still make dark connotations when writing about medieval Europe.
Historian Johan Huizingas influential book, Autumn of the Middle Ages, for
instance, persistently employs the image of decay and decrepitude when he
refers to life in fourteenth and fifteenth century France and the
Netherlands. Even England, he claims, continued to hold onto
disintegrating traditions well into the Renaissance. Many medievalists
have contested this perspective in their works, as I will attempt to do
through the examination of an often overlooked aspect of medieval feasting
in France and England between the fourteenth and fifteenth centuries known
as subtleties. Elaborate edible sculptures produced in noble households,
these creations often took the shape of human or animal figures but could
also include edible castles and ships in which performers would entertain
diners. While the phenomenon of subtleties have much in common with other
art-forms of the period, there are also many ways that they differ. By
examining these similarities and differences I hope to demonstrate not
only that food studies can extend medieval art-related discourse but also
how by studying food in general, subtleties in particular, the school of
thought that believes that the late Middle Ages is more a dawning of an
age rather than the waning of one, will have another weapon in its
arsenal.
Making art out of edible material for the dinner table did not
begin or end in the Middle Ages. Petronius, a companion of the Roman
emperor...
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