Dead Poets Society
...where the emphasis is on tradition rather than free-thinking. Keating tries -- through exposure to the canon of Western "dead poets" -- to give the future lawyers, bankers, and doctors an appreciation of life, love, and beauty. In the process, however, he arouses the suspicion of the school's administration for his unorthodox methods and chumminess with the starved-for-enlightenment students. Keating is a tragic hero because, as he innocently attempts to open the lads' eyes to individuality and passion, he is unconscious of how impressionable they really are. Conflict enters the story when the boys resurrect a secret poetry-reading society at the school. Infected with grandiose concepts -- but without Keating's guidance -- the students interpret Horace's "carpe diem" and Thoreau's advice to "live deliberately" and "suck the marrow from the bones of life" as an invitation to act out recklessly. One student, armed with flowers and love poems, stalks an unimpressed townie girl. Another plays beatnik and nearly pushes the school to expel him for challenging their long-standing rules. And yet another defies his demanding father's orders to abandon acting by starring in a local Shakespeare comedy.
Ostensibly set in New England in the 1960s, the film feels modern enough to take place today. And the story appeals to sentiments that any teen, anywhere, can relate to (most notably, rebellion against the oppressiveness of authority). The movie boasts credible performances by the youths, but the script is often treacly and predictable; and the adults (other than Keating) are depicted as sternly unsympathetic caricatures. Dead Poets Society should be commended for its efforts to introduce poetry and literature to a demographic not usually known for embracing such things. At the same time though, the film's glamourization of suicide as martyrdom for art's sake is...
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