Confessions
...aspects of the form the work would take. To confess, in Augustine's time, meant both to give an account of one's faults to God and to praise God (to speak one's love for God). These two aims come together in the Confessions in an elegant but complex sense: Augustine narrates his ascent from sinfulness to faithfulness not simply for the practical edification of his readers, but also because he believes that narrative to be itself a story of God's greatness and of the fundamental love all things have for Him. Thus, in the Confessions form equals content to a large degree—the natural form for Augustine's story of redemption to take would be a direct address to God, since it is God who must be thanked for such redemption. (That said, a direct address to God was a highly original form for Augustine to have used at the time).
This idea should also help us understand the apparently lopsided and unusual structure of the text. The first nine Books of the Confessions are devoted to the story of Augustine's life up to his mother's death, but the last four Books make a sudden, lengthy departure into pure theology and philosophy. This shift should be understood in the same context as the double meaning of 'confessions'—for Augustine, the story of his sinful life and redemption is in fact a profoundly philosophical and religious matter, since his story is only one example of the way all imperfect creation yearns to return to God. Thus, the story of the return to God is set out first as an autobiography, and then in conceptual terms.
This idea of the return also serves as a good access to the philosophical and theological context in which Augustine is thinking and writing. The most important influence here (besides the Bible) is Neoplatonism, a few major texts of which Augustine read shortly before his conversion. The Neoplatonist universe is hierarchical, but things...
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